Wave Function Collapse  白晝粼粼

2020 / Art Ile，Taichung，Taiwan。台中 苡樂藝術空間 / 謝榕蔚個展 

​

In the process of répétition, there is an almost ritualistic emotion. For Hsieh Jung-Wei, the repetitive act of the hand allows the mind to rest and roam freely. Through "planting grass" on paper, he becomes a quiet gardener of the page—inviting viewers to share in the density of creation, to enter his drawn landscapes, and to reconnect with their own bodily experience.

His silent cultivation gradually grows into a nameless subtropical field—grasses that drift close, yet remain endlessly apart. The marks made by his pen carry both personal gesture and a connection to the present era, describing a state of intuition that is at once microscopic and vast. Over time, drawing becomes a thread that links perception, body, and the unfolding of time itself.

​

在重複(répétition)的過程中，幾近儀式性情感的方法，謝榕蔚因手的重複常可使腦獲得休息而自由，並且藉由在紙上種草，當一位紙上的園丁，邀請觀者再度體驗 (雙向交流_)創作時的密度與共享他的紙上遊歷，回到自身的體驗和身體感，他在紙上默默耕耘慢慢種出一片亞熱帶某些無名的草原，互相靠近又無邊際的遠離，筆尖下活動痕跡的狀態同時也連結著時代當下，描述一種看似微觀、卻又宏觀的直覺狀態，在時間的綿延下將繪畫與之聯繫。